'Theyre closer to architecture than landscaping': inside Walt Disney Worlds eight-month process to build EPCOTs Flower & Garden Festival topiaries
Date:
Sat, 01 Aug 2026 23:05:00 +0000
Description:
Disneys EPCOT Flower & Garden Festival topiaries may look like simple decorations, but each living character sculpture is an eight-month
engineering project involving 3D models, custom steel frames, precision irrigation, and Disney horticulture expertise.
FULL STORY ======================================================================Copy link Facebook X Whatsapp Reddit Pinterest Flipboard Threads Email Share this article 0 Join the conversation Follow us Add us as a preferred source on Google Newsletter Subscribe to our newsletter "It takes close to eight months to produce the topiaries," explained Debbie Mola Mickler, area manager at Disney's Horticulture for installations that were on display for just a few weeks.
On that clock, Disney's horticulture team is likely already deep into next year's lineup even though this year's International Flower & Garden Festival at EPCOT only wrapped June 1. Mola Mickler oversees production of the living character sculptures that define the festival at Walt Disney World in
Orlando. What look like decorative topiaries from a distance reveal
themselves up close as something far more complex.
Underneath, engineered steel frames, a moss growth medium, and tightly integrated irrigation work together so that whether it's Mickey, Buzz, Lightning McQueen, or any other character, the topiary presents itself
exactly as it should. They're closer to architecture than landscaping, and
the timeline to build one reflects that. Latest Videos From TechRadar Watch full video here: (Image credit: Jacob Krol/Future) That timeline starts long before any planting begins. Disney's horticulture team works directly with Walt Disney Imagineering to decide which characters can even be translated into living structures a process that blends creative direction with real-world constraints like weight, scale, and maintenance. Once a character is selected, Mola Mickler goes straight to the source and thinks about scale how big the topiaries need to be, and what plant material can tell that
story. From design, Disney's digital team produces a maquette a small 3D-printed physical model of each topiary that serves as the reference guide for everything that follows, from fabrication through final trimming. You may like We went inside the Magic of Disney Animation before it opens at Disney World Exclusive: The tech keeping Disney Magic Kingdom's most iconic rides running night after night Disney pulls back the curtain on Imagineerings robotics lab
That translation from screen to structure is where Disney's topiaries stop being just landscaping and become systems design problems. "Our Imagineers
are so creative, they've pushed us towards getting these topiaries with more movement," she explained. The dresses have folds; legs may be bent like a character is mid-dance. That push toward motion and expression has forced a redesign of how internal structures are built especially as characters
become more dynamic and less symmetrical.
Once a design is approved, Disney builds a full production pipeline that starts with digital modeling and ends with custom steel fabrication. "You can't just go to the yellow pages and find a welder to make the frame,"
Debbie said. Get daily insight, inspiration and deals in your inbox Sign up for breaking news, reviews, opinion, top tech deals, and more. Contact me
with news and offers from other Future brands Receive email from us on behalf of our trusted partners or sponsors By submitting your information you agree to the Terms & Conditions and Privacy Policy and are aged 16 or over. (Image credit: Jacob Krol/Future) Each topiary begins as a custom-engineered stainless steel structure designed to support weight, shape, and long-term outdoor exposure. Built into each frame are engineered pick points load-bearing anchors that allow heavy equipment like cranes and forklifts to position the finished topiaries into their beds in the park. Some characters arrive in multiple pieces and are assembled on-site.
Once the steel frame is in place, it's filled with sphagnum moss, which acts as the primary growth medium. For larger characters, Disney builds a
secondary cage of chicken wire inside the frame first since plants only need about two to three inches of growing area, the inner cage reduces the amount of moss required while maintaining the structure's shape.
The moss retains moisture, supports plant plugs, and forms the core structure that everything else grows into. Built into each frame is a segmented irrigation system that allows Disney to control water distribution at a surprisingly granular level. What to read next Exclusive: I watched Disneys new Audio-Animatronic transform from pirate to skeleton How Disney Imagineering mixed Soarin Across Americas soundtrack Inside Disney World's Mandalorian Smugglers Run Unreal overhaul
"We can do arms, we can do the head, we can do the feet," Debbie said. "And then we'll turn it off as needed." That segmentation isn't just for
efficiency it's environmental control. Florida's climate can shift rapidly, and different parts of a topiary may require different hydration levels depending on sun exposure and airflow. (Image credit: Jacob Krol/Future) As the plants grow in, the maquette becomes the trimming guide helping maintain pose accuracy and character shape across months of active growth before the festival opens.
Behind the scenes, Disney operates continuous environmental monitoring across 12 greenhouse facilities, each subdivided into controlled environments that simulate different growing conditions depending on plant type and stage. Debbie described automated alerts that notify her directly if temperatures fall outside safe ranges a system her team relies on enough that they refer to themselves as "weather watchers."
The foundational methods, though, have deep roots. "Many years ago when I first started in Disney horticulture, we did not have sphagnum topiary," Debbie said. "We only had woody topiaries with single shrubs being trained in a frame, and it can take seven to 10 years to grow one."
Those traditional systems, still used at Disneyland, rely on shrubs trained over lightweight frames and take several years to mature. At EPCOT, the sphagnum system enables faster production cycles and far more expressive designs but still requires nearly a year of preparation per installation. (Image credit: Jacob Krol/Future) Some heritage pieces remain in rotation, including a more than 50-year-old elephant topiary originally built for Magic Kingdom that now makes a special appearance just for Flower & Garden in EPCOT's United Kingdom Pavilion.
Modern festival builds, meanwhile, sit at the intersection of horticulture
and fabrication engineering. Materials like palm fiber replicate textures
such as Woody's hat and boots; coconut coir matting handles facial detailing. Props like belt buckles and sheriff badges are 3D printed and integrated directly into the structures.
Even animation principles feed into final assembly. "We want to make sure the eyes are always looking at the guest when they take a picture," Debbie said.
It's that kind of detail designed not just to be seen, but to be experienced
that makes the topiaries something more than seasonal decoration. They're living installations built to hold up across an entire festival, in Florida heat, one carefully engineered character at a time. Today's best Disney Plus, Disney+ Bundle and Hulu deals Disney+ Monthly Standard With Ads 4.99 4.99 /mth View We check over 250 million products every day for the best prices Follow TechRadar on Google News and add us as a preferred source to get our expert news, reviews, and opinion in your feeds.
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https://www.techradar.com/streaming/entertainment/theyre-closer-to-architectur e-than-landscaping-inside-walt-disney-worlds-eight-month-process-to-build-epco ts-flower-and-garden-festival-topiaries
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